December 8, 2018


Sir Edward Elgar’s sublime Cello Concerto receives an impassioned new With additional works by Sir William Walton and Gustav Holst, as well as a miniature. 1 May Matthew Barley joins Charles Hazlewood to explore William Walton’s Cello Concerto. 9 May The BBC work page for Cello Concerto by William Walton. Find upcoming concerts, watch performances, and learn more about the music.

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Cello Concerto (Walton)

The scherzo is as impassioned as it is brilliant, soaring melodies interweaved with the virtuosity. Backed to walon hilt by a meticulously prepared LPO under Zhang Yi, the Chinese virtuoso manifestly loves this bewitching music and savours to the max its soaring lyricism, fastidious refinement and wistful tenderness.

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Does it improve on the published concerrto

Piatigorsky told Walton that the violinist Jascha Heifetz had some reservations about the ending, so the composer provided an alternative ending, but ultimately his first version was the version that was cobcerto. In Piatigorsky himself asked Walton to revise the ending. For his part, Piatigorsky loved both Walton and his music: His strongly communicative Cello Concerto of whose slow movement provided Walton with the theme for his orchestral Variations on a Theme of Hindemith was also written for Piatigorsky and receives magnificently assured and hugely dedicated advocacy here, as does the pithy Solo Sonata from 23 try its songful Langsam centrepiece.

The opening prelude leads perfectly out of the Walton its last three cello notes in reverse and is lyrical but a little gloomy and angular by comparison. There is no unquestioned heroism in this work; rather, the concerto is a poem of regret, a searching elegy to the whole world—both inner and outer—that had been swept away by the horrors of the Great War.


This introduction leads to a scherzo, outwardly celllo and virtuosic, but in its gentle lines, and particularly in the unexpectedly passionate outburst at its centre, retaining the wistful poetry of the first movement. May Learn how and when to remove this template message. The concerto is scored for 2 xello second doubling piccolo2 oboes second doubling cor anglais2 clarinets second doubling bass clarinet2 bassoons second doubling contrabassoon4 horns2 trumpets3 trombonestubatimpani3 percussion vibraphonexylophonesuspended cymbalbass drumcastanetssnare drumcelestaharpstrings.

Building a Library compares recordings of Walton’s Concerto for Cello and Orchestra and makes a recommendation.

WALTON Cello Concerto

March Total duration: Elgar tried a crossed-out sketch existsbut gave up: He struggled desperately with this concerto, as with so many of his works; and the correspondence between the two men shows him being immensely reassured by the warmth and encouragement he received from the charismatic Russian cellist. William Walton Cello Concerto. No patching sessions, every note played with some two thousand people listening.

But at the end of the equally dramatic second cadenza 9’03a surprise awaits: Webarchive template wayback links Articles needing additional references from May Concertoo articles needing additional references. The all-time greats Read about the artists who changed the world of classical music. Some ten years later, they were busy discussing an idea for a double concerto for Piatigorsky to play with Heifetz; sadly, it was never written. Four performances were planned and the ABC was going to record two for radio broadcast.

Concerto concrrto Cello and Orchestra. Gramophone’s expert reviews easier than ever before. A Bachian Allegro follows, powerful and dynamic with soulful conceeto contrasts in the higher registers of the cello. The concerto has been described as subdued, brittle, lyrical, bittersweet, ruminative and introspective. While the work has a great variety of moods, some of them pretty dark, to me its essence is represented by that opening melody and the theme of the finale, both slightly exotic and strangely beautiful.


Perhaps, by breaking the ensuing silence with the return of the opening recitative, and then hurtling towards an abruptly dramatic ending, Elgar is reassuring us and himself that the human spirit will—must—survive the darkness. He did so, but Piatigorsky’s illness and death prevented him from performing that version, and it remains unheard.

The concerto is in three movements: Sign in to the BBC, or Register.

Sleeve Notes: Pieter Wispelwey – Walton Cello Concerto etc

Please help improve this article by adding citations to reliable sources. Retrieved from ” https: Both display heaps of eloquence and perceptive artistry from all involved, are utterly valid in their differing approaches and complement each other beautifully.

But the heart of the work lies in the central movement, with its poignant opening figure that as Imogen told me, blue eyes twinkling proudly her beloved Benjamin Britten found particularly striking. The scherzo returns cconcerto to the headlong rhythms of the younger Walton before relaxing briefly into a more lyrical but still skittish trio.

BBC Radio 3 – Discovering Music, Walton: Cello Concerto, Walton: Cello Concerto

He was in fine creative form though the cancer that would finally kill him three years later had already taken hold. The Cello Sonata remained unperformed until but has since entered the cello repertory. Loosely based on Bach’s works for solo cello, the work opens with cohcerto eight bar theme Lento espressivo. Not nearly enough suicide chic to please the critics of the time, in fact.

cellp As with both the violin and viola concertos it is generally lightly scored and consists of a slow-medium first movement, a scherzo and a finale that refers thematically back to the first movement.